Dear Lara

2026 • 1h 34m • Documentary

This film is no longer available.

About the film

Dear Lara is a 2026 documentary directed by violinist Lara St. John about sexual abuse in classical music. After going public about being raped at 14 by her instructor at Philadelphia's Curtis Institute of Music, St. John uncovers a global pattern of abuse across elite conservatories and orchestras, naming figures including James Levine, David Daniels, and Plácido Domingo, and joins fellow survivors to confront a culture of institutional silence. An official selection at the Santa Barbara, Berkshire, and Cascadia Women's International film festivals, it has drawn comparisons to the films Spotlight and She Said. Film reviewer Jackie Spafford described it as "an infuriating, queasy, shocking, inspiring and powerful watch."

Stay Engaged

Website: www.dearlara.film

Facebook: fb.me/dearlaradoc

Instagram: @dearlaradoc

Lara's SubStack: stjohnlara.substack.com

Director

Lara St. John

Producer

Patrick Hamm

Executive Producer

Stephen Judson

Crew

Christy McGill, Sanjana Bhambhani, Patrick Hamm, +3 more

Awards & recognition

Santa Barbara International Film Festival

Official Selection

Berkshire International Film Festival

Official Selection

CASCADIA Women's International Film Festival

Official Selection

What people are saying

For all the horrific accounts this film exposes, a sense of hope pervaded the film: hope that changes are happening, that more survivors are coming forward, that institutions are implementing new safeguards — and that just maybe this important film, if it is given the wide release it deserves, can have a profound impact on the world and its arts institutions. It certainly had a profound impact on me.

Peter Wilson

Violinist.com

Dear Lara is one woman’s crusade to bring justice and the brightest spotlight to the heinous abuse that has plagued the prestigious music education halls for decades.

Jonita Davis

The Black C.A.P.E.

In the documentary Dear Lara, the #MeToo movement circles around to the insular, self-protective world of classical music. [...] The film names names, as it should, including James Levine, David Daniels, Placido Domingo, and Steven Shipps. The result in the St. John–directed doc is fascinating, chilling, and necessary.

Josef Woodard

Santa Barbara Independent

Gallery

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