This is [Not] Who We Are

2022 • 1h 16m • Documentary

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Availability

Virtual

  • Available until Dec 31, 2026

  • Available Worldwide

On-demand

  • Available until Dec 31, 2026

  • Available Worldwide

In-person

  • Available until Dec 31, 2026

  • Available Worldwide

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About the film

University student Zayd Atkinson was cleaning up the grounds of his dorm— duties of his work-study job— when he was threatened by eight police officers with guns drawn. He lived to tell the story that many Black men have not survived. As the body-cam footage of this encounter went viral, Atkinson's story sparked a reckoning for one town as the implicit biases of its institutions and the continuation of its broader history were laid bare.

This Is [Not] Who We Are explores the gap between Boulder, Colorado's progressive self-image and the lived experiences of its small but resilient Black community. Boulder is emblematic of predominantly white communities that profess an inclusive ethic but live in a segregated reality. The film explores the intersecting issues of land use, affordability, racial and class-based segregation, youth issues, education, and policing, which together reveal deeply entrenched, often un-intended, structural inequalities that have reverberated through generations.

Director

Katrina Miller, Beret Strong

Crew

John Tweedy, John Tweedy

Awards & recognition

Indianapolis Black Documentary Film Festival

Best Feature Documentary

Hamilton Black Film Festival

Best Feature Documentary

Baltimore International Black Film Festival

Best Feature Documentary

DocUtah International Documentary Film Festival

Official Selection

St Louis International Film Festival

Official Selection

Portland Film Festival

Official Selection

Oxford Film Festival

Official Selection

What people are saying

"By allowing the Black community their voice, Miller forces the audience to listen and learn. One of the most affecting scenes comes when a young girl, Celine Miriam Samuel, articulates her fear that she could 'all of a sudden be shot' by police. The other voices in the film convey to white viewers the need to step back and let the Black community lead. This highly recommended film would be perfect for starting a conversation about structural racism in the viewer's local towns and cities."

Timothy W. Kneeland

Educational Media Reviews Online

"By allowing the Black community their voice, Miller forces the audience to listen and learn. One of the most affecting scenes comes when a young girl, Celine Miriam Samuel, articulates her fear that she could 'all of a sudden be shot' by police. The other voices in the film convey to white viewers the need to step back and let the Black community lead. This highly recommended film would be perfect for starting a conversation about structural racism in the viewer's local towns and cities."

J. Zimmerman

Video Librarian

Gallery

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